A New - England Folktale, 2. Robert Eggers. Pages. The witch: A legend of New England (The VVitch: A New - England Folktale, 2. Robert Eggers. puritans believed that his life was a war, Christ. New. England, XVII century. A family of English settlers, formed by a. Great. and at times chilling debut behind the camera of the young filmmaker. Robert Eggers, who on the basis of historical documents. England arrived to the New World with the hope of seeing blossom. The tape won the award. Best director in the past at the Sundance Film Festival. The Witch: A New - England. Folktale, is riddled with symbols and esoteric associated with the. North america), The scarlet letter (The Scarlet Letter, 1. Nathaniel Hawthorne, and. Vredens dag. Carl Theodor Dreyer, to the Paintings. A film festival always be that, a film festival, but I think that also should be a platform where you open a debate on the new forms of. This beautiful period piece by jane campion is about the brief but unwavering romance between 19th century poet john keats and fanny brawne, eclectic seamstre. Goya (witches ' sabbath), and to. Frans Hals. The address of Eggers. With a narrative paused, clear tint psychological, The witch goes in crescendo. So we can only reproach the tape a certain lack of ambivalence. Thomasin (Anya Taylor - Joy), the eldest daughter of the. Otherwise, highlight the excellent. Jarin Blaschke. I think. Babadook (The Babadook. Jennifer Kent, and The Lords of. Salem (idem, 2. 01. Rob Zombie. Remarkable. Shot in wonderful black-and-white with a. One of the films of terror. Also participated in film the episdica New York Stories. To the East of the West. The science - fiction Russian. Uno of the few popular genres that continued to be cultivated in Russia throughout all their years as Union of Soviet Republics was science fiction. On the contrary, in general terms, the fantastic and the police, genera, whose content is either implicit or explicit could disrupt the order of the State –only peeked out shyly, especially the second, in the genre of espionage with trends propaganda - given that had the bad habit of showing often the worst aspects of the society and the individual (aspects of whose existence, of course, was employed by the full of the perfect Proletarian State), science fiction could be seen, however, as a positive force and progressive, perfectly in line with the marxism scientist, an inspirer of the Soviet Union itself. The ideas that would lead to the October Revolution brought a splendour futuristic and utopian, rabidly optimistic, which led to the emergence of a good number of writers and works of science fiction, among them the pioneering Red Star (Nevsky Prospects) of the scientist Alexander Bogdánov, Aelita (also on Nevsky Prospects) and many other of Alexei Tolstoy; Ariel, The Man Amphibian posted from time to time as “Ictiandro” - The Magic Eye, and a long etcetera of Alexandr Beliaev (“the jules Verne's Russian”), and even the dramas cutting edge of Maiakovski. Despite their ambiguities and nuances, the vast majority of these novels, short stories and theatrical works looking toward the future, the technology and scientific advances with good eyes, still only its misuse or abuse on the part of the bourgeois society and capitalist the object of their criticism. With the exception of some exceptions, such as Bulgakov and his short novels Heart of a Dog (Alfaguara) and The Eggs Fatal (Valdemar), or Zamyatin with his classic dystopias of Us, the science fiction soviet was so tinged with enthusiasm, faith in progress and optimism as the Revolution itself, despite the fact that, with time, would be rather the predictions pessimistic of Zamyatin and Bulgakov that were to become reality. After the carnage stalinist, which brought an end to the avant-garde and, with them, the futurism and constructivism runaway, science fiction managed to survive under the heavy boot of Social Realism, disguising his criticisms of dissidents under the aspect of distopías future or space, that pointed directly to the western capitalism and its decaying society –but indirectly, in an oblique manner, and risky, to own excesses soviet - keeping is often some semblance of positivity, inspired by the faith in science of the soviet communism. Inspiration would be strengthened, after the death of Stalin, the Space Race, which pitted the URSSy the united States for several decades. Especially starting from the age of 6. Efremov, Bulychov, Dneprov, Valentina Zuravleva, Dudincev, and others, many of them of training and scientific profession, able to combine the extrapolation, the sense of wonder, the philosophical reflection, and satire, often with touches of social criticism. Among all, none as prolific and influential as the brothers Arkady and Boris Strugatsky, whose work he has nurtured some of the best science fiction movies Russian, before and after the fall of the soviet regime. The Russian cinema of science fiction has always looked it also, usefully, into their literature. Cine Negro, Películas Stalker Nueva Publicación (2017) ' title='Cine Negro, Películas Stalker Nueva Publicación (2017) ' />Su great classic silent era, Aelita (1. Yakov Protazanov, adapted the novel of the same title, and The Man-Amphibian, Beliaev, it would be made into a movie in the colorful and charming the Amphibian Man (will chelovek - Amfibya. Vladimir Chebotaryov, Gennadi Kazansky, 1. The Planet of Storms (Planeta Bur. Pavel Klushantsev, 1. Aleksandr Kazantsev. However, were the works of the Strugatsky the most and best influence on the particular style –or styles, or better said - and characteristics of the science fiction Russian film. Arkady –died-in-1. Boris Strugatsky have not only been the main ambassadors of the CF Russian in the world, but, without a doubt, two of the best writers world of the genre, whose stories and novels have been well translated into most major languages, serving as an inspiration to the new generation of Lukyanenko, Bulychev, Glukhovsky, Starobinets, Rubanov, or Sorokin. It would be too long and complicated to address here his extensive work, which includes skits, spaceoperas, distopías and fantasies of diverse genre, suffice it to say that part of it is developed in the conceptual framework of the ‘Universe of Noon’, a future human civilization, which is of terrestrial origin, which extends peacefully through the galaxies, based on the principles of peace, abundance, progress, and non-intervention in the internal conflicts of other worlds. It is a sort of projection of utopian principles of communism, thanks to which, the Strugatsky are apañaban to pass official censorship, which, otherwise, would have prevented the publication of many of his works. Because the fact is that this ‘Universe of Noon’ takes us to planets and worlds where they live in totalitarian regimes, ruthless and inhuman, that are too reminiscent of the worst features of the soviet period. Aida Secrets (2017) Watch Online For Free on this page. In a good part of the works of this cycle, the conflict arises between the directive not to intervene in the affairs of worlds less evolved that the Earth and the need to do so for the benefit of its inhabitants, the dilemma that is embodied finally in the “class” of the “progressors”, a kind of cultural heroes who are responsible to voluntarily monitor the progress of planets in extreme situations, such as brutal dictatorship on the planet Saraksh, or the murderous feudal system of Arkanar. Not all the work of the Strugatsky are related to the ‘Universe of Noon’.